When young Domenico ventures from the small village of Meda to Milan in search of employment, he finds himself on the bottom rung of the bureaucratic ladder in a huge, faceless company. The prospects are daunting, but Domenico finds reason for hope in the fetching Antonietta. A tender coming-of-age story and a sharp observation of dehumanizing corporate enterprise, this film is a touching and hilarious tale of one young man’s stumbling entrance into the perils of modern adulthood.

A traffic collision involving a disaffected commercial producer, James, and an enigmatic doctor, Helen, brings them, along with James’s wife, Catherine, together in a crucible of blood and broken glass—and it’s not long before they are all initiated into a kinky, death-obsessed underworld of sadomasochistic car-crash fetishists for whom twisted metal and scar tissue are the ultimate turn-ons. Controversial from the moment it premiered at Cannes—where it won a Special Jury Prize “for originality, for daring, and for audacity”—Crash has since taken its place as a key text of late-twentieth-century cinema, a disturbingly seductive treatise on the relationships between humanity and technology, sex and violence, that is as unsettling as it is mesmerizing.

In this luminous tale set in the former Yugoslavia, Perhan, an engaging young Romany with telekinetic powers, is seduced by the quick-cash world of petty crime that threatens to destroy him and those he loves.

FAT GIRL is the brutally truthful story of the first sexual experiences of a 15-year-old sexpot and her pudgy 12-year-old sister. While the girls are on vacation with their parents, Anaïs tags along as Elena explores the dreary seaside town. Elena meets Fernando, an Italian law student; he seduces her with promises of love, and the ever-watchful Anaïs bears witness to the corruption of her sister’s innocence. FAT GIRL is not only a portrayal of female adolescent sexuality and the complicated bond between siblings but also a shocking assertion by the always controversial Catherine Breillat that violent oppression exists at the core of male-female relations.

When Syd, a young editor at an influential art magazine, becomes involved with her neighbor, a drug-addicted lesbian photographer, both seek to exploit each other for their respective careers while slowly falling in love with each other.

Meet Big and Little Edie Beale: mother and daughter, high-society dropouts, and reclusive relatives of Jackie Onassis. The two manage to thrive together amid the decay and disorder of their East Hampton, New York, mansion, making for an eerily ramshackle echo of the American Camelot.

A dizzying, moving exploration of the meaning of motherhood. In an instant, nurse Manuela loses the teenage son she raised on her own. Grief-stricken, she sets out to search for the boy’s long-lost father in Barcelona, where she reawakens into a new maternal role, at the head of a surrogate family that includes a pregnant, HIV-positive nun; an illustrious star of the stage; and a transgender sex worker. Beautifully performed and bursting with cinematic references, TODO SOBRE MI MADRE is a vibrant tribute to female fortitude, a one-of-a-kind family portrait, and a work of boundless compassion.

When a seven-year-old boy is tricked into believing he killed his older brother, he gathers his meager possessions and flees to New York’s nether wonderland: Coney Island. Upon and beneath the crowded boardwalk, Joey experiences a day and night filled with adventures and mysteries, resulting in a film that is refreshingly spontaneous and thoroughly delightful.

Reggae superstar Jimmy Cliff is Ivan, a rural Jamaican musician who journeys to the city of Kingston in search of fame and fortune. Pushed to desperate circumstances by shady record producers and corrupt cops, he finally achieves notoriety—as a murderous outlaw.

The all-American obsession with celebrity turns monstrous in this deliciously subversive (and disturbingly prescient) satire of our television-mediated, true-crime-obsessed age. Nicole Kidman delivers a diabolical deconstruction of the girl next door as a local TV weather reporter whose perfectly perky facade belies a murderous heart, as her ruthless pursuit of fame ensnares three disaffected teens in a sordid, tabloid-ready scandal.

It is 1971, and journalist Raoul Duke barrels toward Las Vegas—accompanied by a trunkful of contraband and his slightly unhinged Samoan attorney, Dr. Gonzo—to cover a motorcycle race. What should be a cut-and-dried journalistic assignment quickly descends into a feverish psychedelic odyssey. 

Director Terry Gilliam and an all-star cast, headlined by Johnny Depp and Benicio Del Toro, show no mercy in bringing Hunter S. Thompson’s excoriating dissection of the American way of life to the screen, creating a film both hilarious and savage.

A pure-hearted gardener is forced into the wilds of Washington, D.C. when his wealthy guardian dies. Shocked to discover that the real world doesn’t respond to the click of a remote, he stumbles into celebrity after being taken under the wing of a tycoon who mistakes his protégé’s horticultural mumblings for sagacious pronouncements on life and politics, and whose wife targets him as the object of her desire. 

Adapted from a novel by Jerzy Kosinski, this satire, both deeply melancholy and hilarious, is the culmination of Hal Ashby’s remarkable string of films in the 1970s, and a carefully modulated examination of the ideals, anxieties, and media-fueled delusions that shaped American culture during that decade.

A man and his son arrive at a rave lost in the mountains of Morocco. They are looking for Marina, their daughter and sister, who disappeared months ago at another rave. Driven by fate, they decide to follow a group of ravers in search of one last party, in hopes Marina will be there.

The Chicken Ranch is a charming little whorehouse settled on the outskirts of Laneville County, Texas. In rousing song and dance, The Best Little Whorehouse in Texas documents what happens when a Conservative TV crusader threatens to shut down the beloved brothel. Proprietress Miss Mona Stangley (Dolly Parton) and her girls won’t go down without a fight.